![]() ![]() What about the individuals? Their outcomes were exceptional too! Here are some of their publications:Īs composers of operas and authors of scientific treatises, these half-dozen people are fewer than half of the Camerata members who have Wikipedia articles. If you know Italian, you can probably understand the words.) (Sample: Monteverdi, a first composer to adopt the Camerata’s style. They invented the music-drama, and a style of music that conveyed more meaning. Over the years, this team changed history. (Technically, this took place in the Alterati, another meetup with a lot of the same people.) Outcomes I like that criticism came from people designated to the role, not the asshole who doesn’t like you and takes it out on your code. Presentations made… were commented on formally by “defenders” and “censors” who were nominated for the occasion. Peri wanted to focus on the words, with a bit of music Caccini wanted the singing to stand out, while also understanding the words. There was disagreement over style between Caccini and Peri, the two musical stars. Bardi preferred talking, Corsi wanted to play more music. There was rivalry between Bardi and Corsi, the two chief sponsors. Vincenzo Galilei varied lengths and tensions of strings and found the ratios that make chords. We have a new way of thinking, ways of asking the universe questions. The beginning of the scientific method is a big part of the Renaissance, and it intertwines with art. They practiced together! And experimented. The Camerata constituted not only a forum for theoretical discussions, but also a workshop, a “laboratory” for the creation and performance of music. ![]() (I had to look up “descant.” It means long-winded discourse. “I learned more from their learned discussions than I learned from descant in over thirty years” - Caccini, renowned singer The Camerata talked a lot, and listened to each other talk. Here, “optimum” is measured as “maximally effective in communicating… the specific meanings and emotions appropriate to the text.” Qualities Their principal aim was to find the optimum formula for wedding words and music. Their real high-level objective was horizonal, and more specific than moving away from polyphony: Like citing computer science papers from the 70s. They didn’t really know what the Greeks did, but this lent legitimacy to their ideas. They shared a common goal they were unsatisfied with what Vincenzo Galilei (member of the Camerata, father of Galileo) called “that corrupt and incomprehensible contemporary music.”Īnd they had a common strategy. Their aim was to reform the polyphonic music of the dayĪnd they believed that the best way to do so was to renovate the ancient Greek practice of setting words to music They had sponsorship Giovanni d’Bardi was Count of Venoa, and loved to surround himself with interesting people. People with diverse skills and perspectives worked together. Who met informally under the aegis of Bardi and Corsi. Musicians, artists, poets, astrologers, philosophers, scientists The Camerata included (all quotes in this style are from Katz) The Camerata asked the revolutionary question: what if you could understand the words? Methods What feeling it conveys comes through auditory qualities. Polyphony is intellectually rewarding, but you need technical understanding to appreciate it fully. Each has a logic of its own, rather than melody and accompaniment. ( Sample: Palestrina) Polyphony is very pretty: it has around four melodies, each of equal importance. This Camerata was a diverse group of people who gathered and worked on a common problem: they were bored with polyphony, the esteemed music of their day. More on that later.)Ĭamerata literally means a small orchestra or choir. Ruth Katz in the Journal of the History of Ideas, and toward the end of it my mind was blown. So I looked it up further, and came upon Collective “Problem-Solving” in the History of Music: the Case of the Camerata by Dr. I listened to this Great Course and heard about this Camerata and noticed a resemblance to some teams I’ve seen and been in. (Caveat: I’m not a student of music or music history. They had a huge impact on history and on each other. The Florentine Camerata were a group of people who met in Florence in the 16th century. ![]() But first, a story of the origins of Opera. In the middle are points about mental models: how important and how difficult they are. Or: the Origins of Opera and the Future of Programming.Īt the end of this post is an audacious idea about the present and future of software development. ![]()
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